Hansu Kim
“As Don José, the hapless corporal who’s Carmen’s latest target of opportunity, Hansu Kim’s mature, fully developed tenor voice provided just the right counterpoint to his feisty love interest. His acting skills proved considerable, as he believably embodied his character’s decline and fall.”
経歴
テノールのHansu Kimは韓国・ソウルで生まれ育った。延世大学校音楽大学で音楽の道に進み、1998年に奨学金を得て音楽学士（Bachelor of Music）を取得した。卒業後すぐにアメリカへ渡り、Indiana University Jacobs School of Musicでさらなる研鑽を積み、2002年に奨学金を得てMaster of Musicを取得した。
著名なHeldentenorであり、ウィーン・ベルリン・ミュンヘンでKammersängerの称号を持つJames King、Kennedy Prize受賞ソプラノのMartina Arroyo、オペラ録音部門でGRAMMYに3度ノミネートされた（1984年、1993年、2007年）ソプラノのCarol Vanessに師事した。
さらにLucine Amara、Francisco Casanova、Lando Bartolini、Claudia Visca、Franco Silvestri、Chris Merritt、Christian Starinieriといった著名な芸術家のマスタークラスを通じて研鑽を深めた。
オペラのキャリアを通じて、Hansu Kimはアメリカの主要なオペラ劇場や音楽祭において数多くの主要テノール・ロールを演じてきた。2006年にはOne World SymphonyとともにAidaでRadamès、Il TrovatoreでManricoを歌った。2008年にはBel Cantanti OperaでCarmenのDon Joséを演じた。
そのほかのレパートリーには、Turandotのカラフ（New Jersey Association of Verismo Opera、2010年）、Madama ButterflyのPinkerton（Harmonia Opera、John F. Kennedy Center for the Performing Arts – Millennium Stage、2011年）、Opera Camerata of WashingtonによるCavalleria RusticanaのTuriddu（2012年）が含まれる。
コンサート活動も同様に充実している。MidAmerica ProductionsおよびNew Jersey PhilharmonicとともにCarnegie HallのIsaac Stern Auditoriumに3度出演した（2005年、2007年、2009年）。
オラトリオの演奏としては、Franz SchubertのMessa in Sol maggiore（2007年）およびJoseph HaydnのMissa in tempore belli（2009年）が挙げられる。
また、2008年の韓国大統領Lee Myung-bak氏、2010年のニュージャージー州知事Jon Corzine氏を迎えたガラ・コンサートにも出演した。
Hansu KimはUtah Festival Opera、Dicapo Opera Theatre、Pacific Encore Performancesといたカンパニーでの活動を通じて芸術的経験を磨いた。
声楽的発展はMetropolitan OperaのディレクターであるSteven Crawford、Gregory Buchalter、Louis Salemnoによるコーチング、ならびにオーストリア・ウィーンのUniversität für Musik und darstellende Kunst Wien（MDW）– Institut für Gesang und Musiktheaterの教授Claudia Visca、Marcin Kozieł、Joëlle Bouffaによる指導によってさらに支えられた。
現在Hansu Kimは、韓国・ソウルのSeoul Theological University School of Musicにて声楽教授を務めている。
そのキャリアを通じて、Hansu Kimは数多くの栄誉ある賞を受賞している。
AWARD
1st Prize The New York Classical Music Competition 2025, New York, USA
1st Prize The London Classical Music Competition 2025, London, United Kingdom
1st Prize The New York International Music Competition 2025, New York, USA
1st Prize The Medici International Music Competition 2025, London, United Kingdom
1st Prize The American International Music Competition 2025, New York, USA
1st Prize The International Schubert Competition Vienna 2025, Vienna, Austria
1st Prize The Claude Debussy Competition Paris 2025, Paris, France
1st Prize The Amadeus International Music Awards 2025, Vienna, Austria
1st Prize The Virtuoso International Music Awards 2025, London, United Kingdom
1st Prize The American Classical Music Awards 2025, New York, USA
1st Prize The Vienna International Music Competition 2025, Vienna, Austria
1st Prize The Birmingham International Music Competition 2024, Birmingham, United Kingdom
1st Prize The Gold International Classical Music Competition 2024, London, United Kingdom
1st Prize The European Virtuoso Music Awards 2024, Berlin, Germany
1st Prize The Clara Schumann International Competition 2024, Brussels, Belgium
1st Prize The Arizona International Music Competition 2024, Pheonix, USA
1st Prize The Swiss International Music Competition 2024, Lugano, Switzerland
1st Prize The Euterpe International Music Awards 2024, Berlin, Germany
1st Prize The Gulf Musician International Competition 2024, Manama, Kingdom of Bahrain
1st Prize The Servaas International Music Competition 2024, London, United Kingdom
1st Prize The Royal Maas International Music Competition 2024, London, United Kingdom
1st Prize The World Stage International Music Competition 2024, London, United Kingdom
1st Prize The Accadia Foundation International Vocal Competition 2010, New York, USA
1st Prize The Olga Forrai Foundation International Competition 2004, New York, USA
1st Prize The Dicapo Opera International Vocal Competition 2002, New York, USA
EDUCATION
Voice Teacher James King, Martina Arroyo, Paul Kiesgan, Carlos Montané, Mark Oswald, Umberto Borso, Fiorella Burato
Vocal Coach Louis Salemno, Giampaolo Bracali, Steven Crawford, Gregory Buchalter, Elaine Rinaldi, Katherine Olsen
Master Class: Lucine Amara, Francisco Casanova, Lando Bartolini, Claudia Visca, Franco Silvestri, Christian Starinieri, Chris Merritt
Resident Artist Utah Festival Opera, Logan, Utah / Dicapo Opera, New York, NY / Pacific Encore Performances, New York, NY
Master of Music Jacobs School of Music, Indiana University, Bloomington (with scholarship)
Bachelor of Music School of Music, Yonsei University, Seoul, South Korea (with scholarship)
TEACHING
Voice Professor School of Music, Seoul Theological University, South Korea
プレス
As Don José, the hapless corporal who’s Carmen’s latest target of opportunity, Hansu Kim’s mature, fully developed tenor voice provided just the right counterpoint to his feisty love interest. His acting skills proved considerable, as he believably embodied his character’s decline and fall.
Hansu Kim had a self-centered and contained presence about Don José, which was an important component to the character. He is also extremely musical. He sings with such emotion that when you close your eyes, you feel all the happiness and the pain. And it's not just his voice, which is gorgeous, but he offers such an emotional connection that when he and Carmen sing to each other, it is like they are making love.
With conducting by Metropolitan Opera's Gregory Buchalter, Tenor Hansu Kim performed the role of Turridu in Cavlleria Rusticana with full of ernergy and solemn dignity. His voice sounded like the legendary Dramatic Tenor, Mario del Monaco.
What a glorious dramatic tenor voice! Well done throughout the role of Andrea Chénier. Hansu Kim was not afraid of presenting his glorious and free high notes. Overall, a very professional sound and vocal technique. All of his notes have excellent support, opulence and ping. The quality of sound is so professional that it was difficult to find fault! Again, there were excellent vocal quality, and ease of production. His voice was dramatic, but not over-powered or pushed. I hope Hansu Kim will be enjoying huge successes in the professional operatic field. Certainly, he will be deserved it! Just keep going!!
The spinto-dramatic tenor voice of Hansu Kim was generous. His voice demonstrated very solid technique, with ringing, and well-projected high notes that allowed him to tackle the role of Andrea Chénier. He executed this vocally very demanding role with confidence and energy. His Italian pronunciation was excellent, and he showed mastery of the text, convincingly interpreting the character of Andrea Chénier. Very well done! He is ready for the big stages!!
レパートリー
| 役柄 | オペラ | 作曲家 |
|---|---|---|
| Anatol | Vanessa | Samuel Barber |
| Don José | Carmen | George Bizet |
| Andrea Chénier | Andrea Chénier | Umberto Giordano |
| Doctor Faust | Faust | Charles Gounod |
| Canio | Pagliacci | Ruggero Leoncavallo |
| Turiddu | Cavalleria Rusticana | Pietro Mascagni |
| Werther | Werther | Jules Massenet |
| Luigi | Il tabarro | Giacomo Puccini |
| Rodolfo | La Bohème | Giacomo Puccini |
| Pinkerton | Madama Butterfly | Giacomo Puccini |
| Calaf | Turandot | Giacomo Puccini |
| Samson | Samson et Dalila | Charlas Camille Saint-Saens |
| Conte Elemer | Arabella | Richard Strauss |
| Egisto | Elektra | Richard Strauss |
| Lenskij | Evgenij Onegin | Pyotr Il'yich Tchaikovsky |
| Florestan | Fidelio | Ludwig van Beethoven |
| Radames | Aida | Giuseppe Verdi |
| Manrico | Il Trovatore | Giuseppe Verdi |
| Don Alvaro | La forza del destino | Giuseppe Verdi |
| Alfredo Germont | La traviata | Giuseppe Verdi |
| Macduff | Macbeth | Giuseppe Verdi |
| Otello | Otello | Giuseppe Verdi |
| Max | Der Freischütz | Carl Maria von Weber |
| Siegmund | Die Walküre | Richard Wagner |
| Lohengrin | Lohengrin | Richard Wagner |
メディア・動画
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