Hansu Kim

Hansu Kim

Tenore Corea del Sud

“As Don José, the hapless corporal who’s Carmen’s latest target of opportunity, Hansu Kim’s mature, fully developed tenor voice provided just the right counterpoint to his feisty love interest. His acting skills proved considerable, as he believably embodied his character’s decline and fall.”

— Terry Ponick, Washington Times

Biografía

El tenor Hansu Kim nació y creció en Seúl, Corea del Sur. Inició sus estudios musicales en la Yonsei University School of Music, donde en 1998 obtuvo una Licenciatura en Música (Bachelor of Music) con beca. Tras graduarse, se trasladó a los Estados Unidos para continuar su formación en la Indiana University Jacobs School of Music, donde obtuvo un Master of Music con beca en 2002.
Estudió bajo la dirección del célebre Heldentenor James King, Kammersänger en Viena, Berlín y Múnich, de la soprano Martina Arroyo, ganadora del Kennedy Prize, y de la soprano Carol Vaness, nominada en tres ocasiones a los GRAMMY por la mejor grabación operística (1984, 1993 y 2007).
Asimismo, perfeccionó su formación a través de masterclass con artistas de gran prestigio como Lucine Amara, Francisco Casanova, Lando Bartolini, Claudia Visca, Franco Silvestri, Chris Merritt y Christian Starinieri.
A lo largo de su carrera operística, Hansu Kim ha interpretado numerosos roles tenoriles protagonistas en importantes teatros de ópera y festivales de los Estados Unidos. En 2006 cantó Radamès en Aida y Manrico en Il Trovatore con la One World Symphony. En 2008 interpretó Don José en Carmen con la Bel Cantanti Opera.
Su repertorio incluye además Calaf en Turandot (New Jersey Association of Verismo Opera, 2010), Pinkerton en Madama Butterfly (Harmonia Opera en el John F. Kennedy Center for the Performing Arts – Millennium Stage, 2011) y Turiddu en Cavalleria Rusticana con la Opera Camerata of Washington en 2012.
Su actividad concertística ha sido igualmente destacada. Se ha presentado en tres ocasiones en la Isaac Stern Auditorium del Carnegie Hall con la MidAmerica Productions y la New Jersey Philharmonic (2005, 2007, 2009).
Entre sus interpretaciones oratoriales figuran la Messa in Sol maggiore de Franz Schubert (2007) y la Missa in tempore belli de Joseph Haydn (2009).
También se ha presentado en conciertos de gala para importantes personalidades, entre ellos un concierto en 2008 para el presidente de Corea del Sur Lee Myung-bak y un concierto en 2010 para el gobernador de Nueva Jersey Jon Corzine.
Hansu Kim ha enriquecido su experiencia artística trabajando con compañías como Utah Festival Opera, Dicapo Opera Theatre y Pacific Encore Performances.
Su desarrollo vocal ha contado además con el coaching de los directores del Metropolitan Opera Steven Crawford, Gregory Buchalter y Louis Salemno, así como de los profesores Claudia Visca, Marcin Kozieł y Joëlle Bouffa de la Universität für Musik und darstellende Kunst Wien (MDW) – Institut für Gesang und Musiktheater de Viena, Austria.
Actualmente Hansu Kim es profesor de canto en la Seoul Theological University School of Music en Seúl, Corea del Sur.
A lo largo de su carrera, Hansu Kim ha recibido numerosos y prestigiosos reconocimientos.

 

AWARD

1st Prize                        The New York Classical Music Competition 2025, New York, USA

1st Prize                        The London Classical Music Competition 2025, London, United Kingdom

1st Prize                        The New York International Music Competition 2025, New York, USA

1st Prize                        The Medici International Music Competition 2025, London, United Kingdom

1st Prize                        The American International Music Competition 2025, New York, USA

1st Prize                        The International Schubert Competition Vienna 2025, Vienna, Austria

1st Prize                        The Claude Debussy Competition Paris 2025, Paris, France

1st Prize                        The Amadeus International Music Awards 2025, Vienna, Austria

1st Prize                        The Virtuoso International Music Awards 2025, London, United Kingdom

1st Prize                        The American Classical Music Awards 2025, New York, USA

1st Prize                        The Vienna International Music Competition 2025, Vienna, Austria

1st Prize                        The Birmingham International Music Competition 2024, Birmingham, United Kingdom

1st Prize                        The Gold International Classical Music Competition 2024, London, United Kingdom

1st Prize                        The European Virtuoso Music Awards 2024, Berlin, Germany

1st Prize                        The Clara Schumann International Competition 2024, Brussels, Belgium

1st Prize                        The Arizona International Music Competition 2024, Pheonix, USA

1st Prize                        The Swiss International Music Competition 2024, Lugano, Switzerland

1st Prize                        The Euterpe International Music Awards 2024, Berlin, Germany

1st Prize                        The Gulf Musician International Competition 2024, Manama, Kingdom of Bahrain

1st Prize                        The Servaas International Music Competition 2024, London, United Kingdom

1st Prize                        The Royal Maas International Music Competition 2024, London, United Kingdom

1st Prize                        The World Stage International Music Competition 2024, London, United Kingdom

1st Prize                        The Accadia Foundation International Vocal Competition 2010, New York, USA

1st Prize                        The Olga Forrai Foundation International Competition 2004, New York, USA

1st Prize                        The Dicapo Opera International Vocal Competition 2002, New York, USA

 

EDUCATION 

Voice Teacher                      James King, Martina Arroyo, Paul Kiesgan, Carlos Montané, Mark Oswald, Umberto Borso, Fiorella Burato

Vocal Coach                         Louis Salemno, Giampaolo Bracali, Steven Crawford, Gregory Buchalter, Elaine Rinaldi, Katherine Olsen

Master Class:                         Lucine Amara, Francisco Casanova, Lando Bartolini, Claudia Visca, Franco Silvestri, Christian Starinieri, Chris Merritt

Resident Artist                    Utah Festival Opera, Logan, Utah / Dicapo Opera, New York, NY / Pacific Encore Performances, New York, NY

Master of Music                   Jacobs School of Music, Indiana University, Bloomington (with scholarship)

Bachelor of Music                School of Music, Yonsei University, Seoul, South Korea (with scholarship)

 

TEACHING

Voice Professor                    School of Music, Seoul Theological University, South Korea                                                                                                                                                                        

Hansu Kim

Dicen de mí

As Don José, the hapless corporal who’s Carmen’s latest target of opportunity, Hansu Kim’s mature, fully developed tenor voice provided just the right counterpoint to his feisty love interest. His acting skills proved considerable, as he believably embodied his character’s decline and fall.

Terry Ponick, Washington Times

Hansu Kim had a self-centered and contained presence about Don José, which was an important component to the character. He is also extremely musical. He sings with such emotion that when you close your eyes, you feel all the happiness and the pain. And it's not just his voice, which is gorgeous, but he offers such an emotional connection that when he and Carmen sing to each other, it is like they are making love.

Karen Schafer, The Washington Gazette

With conducting by Metropolitan Opera's Gregory Buchalter, Tenor Hansu Kim performed the role of Turridu in Cavlleria Rusticana with full of ernergy and solemn dignity. His voice sounded like the legendary Dramatic Tenor, Mario del Monaco.

Micaele Sparacino, Conductor of Washington National Opera

What a glorious dramatic tenor voice! Well done throughout the role of Andrea Chénier. Hansu Kim was not afraid of presenting his glorious and free high notes. Overall, a very professional sound and vocal technique. All of his notes have excellent support, opulence and ping. The quality of sound is so professional that it was difficult to find fault! Again, there were excellent vocal quality, and ease of production. His voice was dramatic, but not over-powered or pushed. I hope Hansu Kim will be enjoying huge successes in the professional operatic field. Certainly, he will be deserved it! Just keep going!!

Stephen West, Bass-baritone of The Metropolitan Opera / Chair of Voice and Opera and Professor of Music at University of Michigan

The spinto-dramatic tenor voice of Hansu Kim was generous. His voice demonstrated very solid technique, with ringing, and well-projected high notes that allowed him to tackle the role of Andrea Chénier. He executed this vocally very demanding role with confidence and energy. His Italian pronunciation was excellent, and he showed mastery of the text, convincingly interpreting the character of Andrea Chénier. Very well done! He is ready for the big stages!!

Laura Cherici, Soprano of Teatro alla Scala / Professor of Voice at Conservatorio di Musica "Cesare Pollini" di Padova, Italia

Repertorio

Papel Ópera Compositor
Anatol Vanessa Samuel Barber
Don José Carmen George Bizet
Andrea Chénier Andrea Chénier Umberto Giordano
Doctor Faust Faust Charles Gounod
Canio Pagliacci Ruggero Leoncavallo
Turiddu Cavalleria Rusticana Pietro Mascagni
Werther Werther Jules Massenet
Luigi Il tabarro Giacomo Puccini
Rodolfo La Bohème Giacomo Puccini
Pinkerton Madama Butterfly Giacomo Puccini
Calaf Turandot Giacomo Puccini
Samson Samson et Dalila Charlas Camille Saint-Saens
Conte Elemer Arabella Richard Strauss
Egisto Elektra Richard Strauss
Lenskij Evgenij Onegin Pyotr Il'yich Tchaikovsky
Florestan Fidelio Ludwig van Beethoven
Radames Aida Giuseppe Verdi
Manrico Il Trovatore Giuseppe Verdi
Don Alvaro La forza del destino Giuseppe Verdi
Alfredo Germont La traviata Giuseppe Verdi
Macduff Macbeth Giuseppe Verdi
Otello Otello Giuseppe Verdi
Max Der Freischütz Carl Maria von Weber
Siegmund Die Walküre Richard Wagner
Lohengrin Lohengrin Richard Wagner

Medios y Vídeo

Nessun Dorma (Puccini, Turandot)
Mamma, quel vino è generoso (Cavalleria rusticana)
O figli, o figli miei!... Ah, la paterna mano (Macbeth)
Colpito qui m'avete... Un dì all'azzurro spazio (Andrea Chénier)
Vesti la giubba (I pagliacci)

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