Hansu Kim
“As Don José, the hapless corporal who’s Carmen’s latest target of opportunity, Hansu Kim’s mature, fully developed tenor voice provided just the right counterpoint to his feisty love interest. His acting skills proved considerable, as he believably embodied his character’s decline and fall.”
약력
테너 Hansu Kim은 대한민국 서울에서 태어나 성장했습니다. 연세대학교 음악대학에서 음악 공부를 시작하여 1998년 장학금을 받으며 음악학사(Bachelor of Music) 학위를 취득했습니다. 졸업 직후 미국으로 건너가 Indiana University Jacobs School of Music에서 수학을 이어갔으며, 2002년 장학금을 받으며 음악석사(Master of Music) 학위를 취득했습니다.
빈, 베를린, 뮌헨에서 Kammersänger로 활동한 저명한 Heldentenor James King, Kennedy Prize 수상자인 소프라노 Martina Arroyo, 그리고 최우수 오페라 녹음 부문 GRAMMY 후보에 세 차례(1984, 1993, 2007) 오른 소프라노 Carol Vaness의 지도 아래 수학했습니다.
또한 Lucine Amara, Francisco Casanova, Lando Bartolini, Claudia Visca, Franco Silvestri, Chris Merritt, Christian Starinieri 등 저명한 예술가들의 마스터클래스를 통해 음악적 역량을 더욱 심화시켰습니다.
오페라 경력 전반에 걸쳐 Hansu Kim은 미국의 주요 오페라 극장과 페스티벌에서 수많은 주역 테너 역할을 맡아 왔습니다. 2006년에는 One World Symphony와 함께 Aida에서 Radamès를, Il Trovatore에서 Manrico를 노래했습니다. 2008년에는 Bel Cantanti Opera와 함께 Carmen에서 Don José를 연기했습니다.
그의 레퍼토리에는 Turandot의 Calaf(New Jersey Association of Verismo Opera, 2010), Madama Butterfly의 Pinkerton(Harmonia Opera, John F. Kennedy Center for the Performing Arts – Millennium Stage, 2011), 그리고 2012년 Opera Camerata of Washington과 함께한 Cavalleria Rusticana의 Turiddu도 포함됩니다.
그의 연주회 활동 역시 괄목할 만합니다. MidAmerica Productions 및 New Jersey Philharmonic과 함께 Carnegie Hall의 Isaac Stern Auditorium에서 세 차례 공연했습니다(2005, 2007, 2009).
오라토리오 연주로는 Franz Schubert의 Messa in Sol maggiore(2007)와 Joseph Haydn의 Missa in tempore belli(2009)가 있습니다.
또한 2008년 대한민국 대통령 이명박을 위한 갈라 콘서트와 2010년 뉴저지 주지사 Jon Corzine를 위한 갈라 콘서트 등 주요 인사들을 위한 특별 공연에도 출연했습니다.
Hansu Kim은 Utah Festival Opera, Dicapo Opera Theatre, Pacific Encore Performances 등의 단체와 함께 활동하며 예술적 경험을 쌓았습니다.
그의 성악적 발전은 Metropolitan Opera의 음악 감독 Steven Crawford, Gregory Buchalter, Louis Salemno의 코칭과 함께, 오스트리아 빈의 Universität für Musik und darstellende Kunst Wien (MDW) – Institut für Gesang und Musiktheater 소속 교수 Claudia Visca, Marcin Kozieł, Joëlle Bouffa의 지도를 통해 한층 더 강화되었습니다.
현재 Hansu Kim은 대한민국 서울 소재 서울신학대학교 음악대학에서 성악 교수로 재직 중입니다.
그의 경력 전반에 걸쳐 Hansu Kim은 수많은 권위 있는 상을 수상했습니다.
AWARD
1st Prize The New York Classical Music Competition 2025, New York, USA
1st Prize The London Classical Music Competition 2025, London, United Kingdom
1st Prize The New York International Music Competition 2025, New York, USA
1st Prize The Medici International Music Competition 2025, London, United Kingdom
1st Prize The American International Music Competition 2025, New York, USA
1st Prize The International Schubert Competition Vienna 2025, Vienna, Austria
1st Prize The Claude Debussy Competition Paris 2025, Paris, France
1st Prize The Amadeus International Music Awards 2025, Vienna, Austria
1st Prize The Virtuoso International Music Awards 2025, London, United Kingdom
1st Prize The American Classical Music Awards 2025, New York, USA
1st Prize The Vienna International Music Competition 2025, Vienna, Austria
1st Prize The Birmingham International Music Competition 2024, Birmingham, United Kingdom
1st Prize The Gold International Classical Music Competition 2024, London, United Kingdom
1st Prize The European Virtuoso Music Awards 2024, Berlin, Germany
1st Prize The Clara Schumann International Competition 2024, Brussels, Belgium
1st Prize The Arizona International Music Competition 2024, Pheonix, USA
1st Prize The Swiss International Music Competition 2024, Lugano, Switzerland
1st Prize The Euterpe International Music Awards 2024, Berlin, Germany
1st Prize The Gulf Musician International Competition 2024, Manama, Kingdom of Bahrain
1st Prize The Servaas International Music Competition 2024, London, United Kingdom
1st Prize The Royal Maas International Music Competition 2024, London, United Kingdom
1st Prize The World Stage International Music Competition 2024, London, United Kingdom
1st Prize The Accadia Foundation International Vocal Competition 2010, New York, USA
1st Prize The Olga Forrai Foundation International Competition 2004, New York, USA
1st Prize The Dicapo Opera International Vocal Competition 2002, New York, USA
EDUCATION
Voice Teacher James King, Martina Arroyo, Paul Kiesgan, Carlos Montané, Mark Oswald, Umberto Borso, Fiorella Burato
Vocal Coach Louis Salemno, Giampaolo Bracali, Steven Crawford, Gregory Buchalter, Elaine Rinaldi, Katherine Olsen
Master Class: Lucine Amara, Francisco Casanova, Lando Bartolini, Claudia Visca, Franco Silvestri, Christian Starinieri, Chris Merritt
Resident Artist Utah Festival Opera, Logan, Utah / Dicapo Opera, New York, NY / Pacific Encore Performances, New York, NY
Master of Music Jacobs School of Music, Indiana University, Bloomington (with scholarship)
Bachelor of Music School of Music, Yonsei University, Seoul, South Korea (with scholarship)
TEACHING
Voice Professor School of Music, Seoul Theological University, South Korea
프레스
As Don José, the hapless corporal who’s Carmen’s latest target of opportunity, Hansu Kim’s mature, fully developed tenor voice provided just the right counterpoint to his feisty love interest. His acting skills proved considerable, as he believably embodied his character’s decline and fall.
Hansu Kim had a self-centered and contained presence about Don José, which was an important component to the character. He is also extremely musical. He sings with such emotion that when you close your eyes, you feel all the happiness and the pain. And it's not just his voice, which is gorgeous, but he offers such an emotional connection that when he and Carmen sing to each other, it is like they are making love.
With conducting by Metropolitan Opera's Gregory Buchalter, Tenor Hansu Kim performed the role of Turridu in Cavlleria Rusticana with full of ernergy and solemn dignity. His voice sounded like the legendary Dramatic Tenor, Mario del Monaco.
What a glorious dramatic tenor voice! Well done throughout the role of Andrea Chénier. Hansu Kim was not afraid of presenting his glorious and free high notes. Overall, a very professional sound and vocal technique. All of his notes have excellent support, opulence and ping. The quality of sound is so professional that it was difficult to find fault! Again, there were excellent vocal quality, and ease of production. His voice was dramatic, but not over-powered or pushed. I hope Hansu Kim will be enjoying huge successes in the professional operatic field. Certainly, he will be deserved it! Just keep going!!
The spinto-dramatic tenor voice of Hansu Kim was generous. His voice demonstrated very solid technique, with ringing, and well-projected high notes that allowed him to tackle the role of Andrea Chénier. He executed this vocally very demanding role with confidence and energy. His Italian pronunciation was excellent, and he showed mastery of the text, convincingly interpreting the character of Andrea Chénier. Very well done! He is ready for the big stages!!
레퍼토리
| 역할 | 오페라 | 작곡가 |
|---|---|---|
| Anatol | Vanessa | Samuel Barber |
| Don José | Carmen | George Bizet |
| Andrea Chénier | Andrea Chénier | Umberto Giordano |
| Doctor Faust | Faust | Charles Gounod |
| Canio | Pagliacci | Ruggero Leoncavallo |
| Turiddu | Cavalleria Rusticana | Pietro Mascagni |
| Werther | Werther | Jules Massenet |
| Luigi | Il tabarro | Giacomo Puccini |
| Rodolfo | La Bohème | Giacomo Puccini |
| Pinkerton | Madama Butterfly | Giacomo Puccini |
| Calaf | Turandot | Giacomo Puccini |
| Samson | Samson et Dalila | Charlas Camille Saint-Saens |
| Conte Elemer | Arabella | Richard Strauss |
| Egisto | Elektra | Richard Strauss |
| Lenskij | Evgenij Onegin | Pyotr Il'yich Tchaikovsky |
| Florestan | Fidelio | Ludwig van Beethoven |
| Radames | Aida | Giuseppe Verdi |
| Manrico | Il Trovatore | Giuseppe Verdi |
| Don Alvaro | La forza del destino | Giuseppe Verdi |
| Alfredo Germont | La traviata | Giuseppe Verdi |
| Macduff | Macbeth | Giuseppe Verdi |
| Otello | Otello | Giuseppe Verdi |
| Max | Der Freischütz | Carl Maria von Weber |
| Siegmund | Die Walküre | Richard Wagner |
| Lohengrin | Lohengrin | Richard Wagner |
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