Hansu Kim
“As Don José, the hapless corporal who’s Carmen’s latest target of opportunity, Hansu Kim’s mature, fully developed tenor voice provided just the right counterpoint to his feisty love interest. His acting skills proved considerable, as he believably embodied his character’s decline and fall.”
个人简介
男高音Hansu Kim出生并成长于韩国首尔。他在延世大学音乐学院开始了音乐学习，并于1998年以奖学金获得音乐学士学位（Bachelor of Music）。毕业后，他随即赴美深造，就读于Indiana University Jacobs School of Music，并于2002年以奖学金获得音乐硕士学位（Master of Music）。
他曾师从著名英雄男高音（Heldentenor）James King（维也纳、柏林及慕尼黑宫廷歌唱家Kammersänger）、Kennedy Prize得主女高音Martina Arroyo，以及三度获得格莱美最佳歌剧录音提名（1984年、1993年及2007年）的女高音Carol Vaness。
他还曾参加Lucine Amara、Francisco Casanova、Lando Bartolini、Claudia Visca、Franco Silvestri、Chris Merritt及Christian Starinieri等多位享誉国际的艺术家所主持的大师班，进一步提升自身造诣。
在歌剧演唱生涯中，Hansu Kim曾在美国多个重要歌剧院及音乐节出演众多男高音主角。2006年，他与One World Symphony合作演出Aida中的Radamès及Il Trovatore中的Manrico。2008年，他与Bel Cantanti Opera合作演绎Carmen中的Don José。
他的曲目还涵盖Turandot中的Calaf（New Jersey Association of Verismo Opera，2010年）、Madama Butterfly中的Pinkerton（Harmonia Opera，演出于John F. Kennedy Center for the Performing Arts – Millennium Stage，2011年），以及2012年与Opera Camerata of Washington合作的Cavalleria Rusticana中的Turiddu。
他的音乐会演出同样成果卓著。他曾与MidAmerica Productions及New Jersey Philharmonic三度登台Carnegie Hall的Isaac Stern Auditorium（2005年、2007年、2009年）。
他的神剧演出包括Franz Schubert的G大调弥撒曲（2007年）及Joseph Haydn的Missa in tempore belli（2009年）。
他还曾为多位重要人士举办音乐会，包括2008年为韩国总统李明博出演的音乐会，以及2010年为新泽西州州长Jon Corzine出演的音乐会。
Hansu Kim曾与Utah Festival Opera、Dicapo Opera Theatre及Pacific Encore Performances等歌剧团体合作，不断积累和丰富艺术经验。
他的声乐发展还得益于Metropolitan Opera指导导师Steven Crawford、Gregory Buchalter及Louis Salemno的指导，以及奥地利维也纳Universität für Musik und darstellende Kunst Wien（MDW）– Institut für Gesang und Musiktheater的Claudia Visca、Marcin Kozieł及Joëlle Bouffa教授的悉心培育。
目前，Hansu Kim担任韩国首尔Seoul Theological University音乐学院声乐教授。
在其职业生涯中，Hansu Kim荣获了众多重要奖项。
AWARD
1st Prize The New York Classical Music Competition 2025, New York, USA
1st Prize The London Classical Music Competition 2025, London, United Kingdom
1st Prize The New York International Music Competition 2025, New York, USA
1st Prize The Medici International Music Competition 2025, London, United Kingdom
1st Prize The American International Music Competition 2025, New York, USA
1st Prize The International Schubert Competition Vienna 2025, Vienna, Austria
1st Prize The Claude Debussy Competition Paris 2025, Paris, France
1st Prize The Amadeus International Music Awards 2025, Vienna, Austria
1st Prize The Virtuoso International Music Awards 2025, London, United Kingdom
1st Prize The American Classical Music Awards 2025, New York, USA
1st Prize The Vienna International Music Competition 2025, Vienna, Austria
1st Prize The Birmingham International Music Competition 2024, Birmingham, United Kingdom
1st Prize The Gold International Classical Music Competition 2024, London, United Kingdom
1st Prize The European Virtuoso Music Awards 2024, Berlin, Germany
1st Prize The Clara Schumann International Competition 2024, Brussels, Belgium
1st Prize The Arizona International Music Competition 2024, Pheonix, USA
1st Prize The Swiss International Music Competition 2024, Lugano, Switzerland
1st Prize The Euterpe International Music Awards 2024, Berlin, Germany
1st Prize The Gulf Musician International Competition 2024, Manama, Kingdom of Bahrain
1st Prize The Servaas International Music Competition 2024, London, United Kingdom
1st Prize The Royal Maas International Music Competition 2024, London, United Kingdom
1st Prize The World Stage International Music Competition 2024, London, United Kingdom
1st Prize The Accadia Foundation International Vocal Competition 2010, New York, USA
1st Prize The Olga Forrai Foundation International Competition 2004, New York, USA
1st Prize The Dicapo Opera International Vocal Competition 2002, New York, USA
EDUCATION
Voice Teacher James King, Martina Arroyo, Paul Kiesgan, Carlos Montané, Mark Oswald, Umberto Borso, Fiorella Burato
Vocal Coach Louis Salemno, Giampaolo Bracali, Steven Crawford, Gregory Buchalter, Elaine Rinaldi, Katherine Olsen
Master Class: Lucine Amara, Francisco Casanova, Lando Bartolini, Claudia Visca, Franco Silvestri, Christian Starinieri, Chris Merritt
Resident Artist Utah Festival Opera, Logan, Utah / Dicapo Opera, New York, NY / Pacific Encore Performances, New York, NY
Master of Music Jacobs School of Music, Indiana University, Bloomington（含奖学金）
Bachelor of Music School of Music, Yonsei University, Seoul, South Korea（含奖学金）
TEACHING
Voice Professor School of Music, Seoul Theological University, South Korea
媒体评价
As Don José, the hapless corporal who’s Carmen’s latest target of opportunity, Hansu Kim’s mature, fully developed tenor voice provided just the right counterpoint to his feisty love interest. His acting skills proved considerable, as he believably embodied his character’s decline and fall.
Hansu Kim had a self-centered and contained presence about Don José, which was an important component to the character. He is also extremely musical. He sings with such emotion that when you close your eyes, you feel all the happiness and the pain. And it's not just his voice, which is gorgeous, but he offers such an emotional connection that when he and Carmen sing to each other, it is like they are making love.
With conducting by Metropolitan Opera's Gregory Buchalter, Tenor Hansu Kim performed the role of Turridu in Cavlleria Rusticana with full of ernergy and solemn dignity. His voice sounded like the legendary Dramatic Tenor, Mario del Monaco.
What a glorious dramatic tenor voice! Well done throughout the role of Andrea Chénier. Hansu Kim was not afraid of presenting his glorious and free high notes. Overall, a very professional sound and vocal technique. All of his notes have excellent support, opulence and ping. The quality of sound is so professional that it was difficult to find fault! Again, there were excellent vocal quality, and ease of production. His voice was dramatic, but not over-powered or pushed. I hope Hansu Kim will be enjoying huge successes in the professional operatic field. Certainly, he will be deserved it! Just keep going!!
The spinto-dramatic tenor voice of Hansu Kim was generous. His voice demonstrated very solid technique, with ringing, and well-projected high notes that allowed him to tackle the role of Andrea Chénier. He executed this vocally very demanding role with confidence and energy. His Italian pronunciation was excellent, and he showed mastery of the text, convincingly interpreting the character of Andrea Chénier. Very well done! He is ready for the big stages!!
曲目
| 角色 | 歌剧 | 作曲家 |
|---|---|---|
| Anatol | Vanessa | Samuel Barber |
| Don José | Carmen | George Bizet |
| Andrea Chénier | Andrea Chénier | Umberto Giordano |
| Doctor Faust | Faust | Charles Gounod |
| Canio | Pagliacci | Ruggero Leoncavallo |
| Turiddu | Cavalleria Rusticana | Pietro Mascagni |
| Werther | Werther | Jules Massenet |
| Luigi | Il tabarro | Giacomo Puccini |
| Rodolfo | La Bohème | Giacomo Puccini |
| Pinkerton | Madama Butterfly | Giacomo Puccini |
| Calaf | Turandot | Giacomo Puccini |
| Samson | Samson et Dalila | Charlas Camille Saint-Saens |
| Conte Elemer | Arabella | Richard Strauss |
| Egisto | Elektra | Richard Strauss |
| Lenskij | Evgenij Onegin | Pyotr Il'yich Tchaikovsky |
| Florestan | Fidelio | Ludwig van Beethoven |
| Radames | Aida | Giuseppe Verdi |
| Manrico | Il Trovatore | Giuseppe Verdi |
| Don Alvaro | La forza del destino | Giuseppe Verdi |
| Alfredo Germont | La traviata | Giuseppe Verdi |
| Macduff | Macbeth | Giuseppe Verdi |
| Otello | Otello | Giuseppe Verdi |
| Max | Der Freischütz | Carl Maria von Weber |
| Siegmund | Die Walküre | Richard Wagner |
| Lohengrin | Lohengrin | Richard Wagner |
媒体与视频
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